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Lady Gaga, Brandi Carlile among early Grammy winners

Lady Gaga, Brandi Carlile among early Grammy winners

Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s This Is America becoming the first rap-based song to win record and song of the year.

Kacey Musgraves picked up album of the year for Golden Hour, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino — who didn’t attend the event — was the night’s big winner, picking up four honours, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake accepts the best rap song award for God’s Plan onstage during the 61st annual Grammy awards in Los Angeles. (Kevin winter/Getty Images for The Recording Academy)

Drake, who rarely attends awards shows, won the honour for his massive hit God’s Plan.

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown,” he told the crowd.

“If there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won.”

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys).

Cardi B was back onstage after her performance to pick up the award for best rap album. (Emma McIntyre/Getty Images for The Recording Academy)

Cardi B accepts her award next to her husband Offset. (Mike Blake/Reuters)

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives — a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

Photo gallery: Check out some of the Grammys fashion.

Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidarity with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honours in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Lady Gaga took home 3 Grammys this year. (Mike Blake/Reuters)

Gaga, now a nine-time Grammy winner, won best pop solo performance for Joanne, while hit Shallow, from A Star is Born, was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s By the Way, I Forgive You, Janelle Monae’s Dirty Computer, Cardi B’s Invasion of Privacy and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist.

Dua Lipa poses backstage with her awards for best dance recording and best new artist. (Mario Anzuoni/Reuters)

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for Golden Hour, best country solo performance for Butterflies and best country song for Space Cowboy.

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of (You Make Me Feel Like) A Natural Woman in honour Aretha Franklin, who died last year.

Fans were on their feet to cheer Diana Ross as she came onto the stage. (Mike Blake/Reuters)

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform Reach Out and Touch (Somebody’s Hand) and The Best Years of My Life. She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s Nice for What lost to Anderson Paak’s Bubblin and Kendrick Lamar, Jay Rock, Future and James Blake’s King’s Dead, from the Black Panther soundtrack.

Canadians score wins

Music producer Greg Wells said winning his first Grammy for the soundtrack to The Greatest Showman felt like a scene lifted from the pages of a Hollywood screenplay.

The Peterborough, Ont.-raised songwriter said reality was still sinking in for him, even though several hours had already passed since he rushed to the stage to accept best compilation soundtrack for visual media.

Wells won as part of the team who helped create the breakout pop hits for the Hugh Jackman-led musical film, including This Is Me.

From left: Benj Pasek, Justin Paul, Alex Lacamoire and Greg Wells pose in the press room with the award for best compilation soundtrack for visual media for The Greatest Showman. (Chris Pizzello/Invision/AP)

“It really is that movie moment where they announce your name and you get this euphoric blast of hormones — or whatever it is,” the 50-year-old songwriter said by phone from Los Angeles on Sunday.

Wells previously had been nominated twice, once for Katy Perry’s Teenage Dream and another time for Mika’s single Love Today. He said after losing both of those Grammys he wasn’t expecting to win this time either.

“It doesn’t feel like a real thing,” he added.

Other Canadians marking their first time as Grammy winners included Toronto-raised R&B singer Daniel Caesar, who split his first honour with Gabriella Wilson, known as American performer H.E.R., for their song Best Part.

Toronto-raised R&B singer Daniel Caesar accepts his first ever Grammy win for the song Best Part. (Mike Blake/Reuters)

Volinist James Ehnes received two for his contributions to Kernis. The Brandon, Man.-raised musician was part of the classical violin concerto album, which won best contemporary classical composition. The honour is shared with composer Aaron Jay Kernis.

His second Grammy for best classical instrumental solo is shared with the album’s conductor.

Another violinist, Lili Haydn, won as part of the quartet Opium Moon. The Canadian-American musician received best new age album win for the group’s self-titled 2018 album.

Canadian-American violinist Lili Haydn, second from left, poses with her quartet Opium Moon at the Grammys on Sunday. (Alberto E. Rodriguez/Getty Images for The Recording Academy)

Haydn accepted the Grammy during a pre-telecast ceremony saying she had “so much love and gratitude and respect” for other musicians nominated at the ceremony.

She said her fellow nominees “devoted literally countless hours of focus, passion and practice to making the most exquisite music we can make to sweeten this world.”

Willo Perron, who is from Montreal, nabbed the best recording package Grammy for his work on singer St. Vincent’s 2017 album Masseduction.

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Oscars 2019 Predictions: Who Will Win, Who Should Win

Oscars 2019 Predictions: Who Will Win, Who Should Win

Every year, the Academy surprises us. Whether it’s through a slate of predictable Oscar fluff or a swath of uncompromising snubs, the powers that be never fail to elicit some kind of vitriolic response from its core base of critics, moviegoers, and Hollywood zealots. That shock starts at the nominations and lasts all the way until the morning after the ceremony.

This year is no exception. There’s outrage over the nominations for Bohemian Rhapsody and Green Book, while at the same time, there’s admiration for the dozen to half-dozen that’s been respectively given to The Favourite or BlacKkKlansman. Yet for all its pros and cons, the ceremony itself remains consistent in being a total enigma.

Hollywood analysts can read the tea leaves until they look like the blind guy in Lamberto Bava’s Demons, and still, it doesn’t change the fact that the night will bring a series of triumphs and upsets that will all boil down to bewilderment. Some may find that irritating, some may find that comforting, others may sit there wondering what Roma means.

That’s why, in a sense, it’s a fool’s errand to sit here and try and predict anything. Unlike sports, there aren’t really any objective statistics to base these predictions on, namely because any statistics are all based on prior subjectivity. Yet part of any surprise is building expectations, and that’s where these analyses thrive.

That is, if you can appreciate the surprise of being right or wrong.

Alas, here are Consequence of Sound‘s bolder-than-ever predictions going into the 91st Academy Awards. Whether they’re on-target or off the map, we’ll see on Sunday, February 24th, when it all goes down on ABC.

–Michael Roffman

Editor-in-Chief

__________________________________________________________

Best Sound Editing

Bohemian Rhapsody

Black PantherFirst ManA Quiet PlaceRoma

What should win: A Quiet Place

What will win: First Man

Coming into this year’s nominations, John Krasinski’s A Quiet Place had started making a number of appearances on forecast lists, ranging from Best Original Score to Best Actress for Emily Blunt. Sadly, neither came to fruition for the blockbuster thriller, but it did manage to whisper away a Best Sound Editing nom — and rightfully so. The entire film is predicated on the lack of noise, which makes any sounds that much more integral, and the film’s rich palette is impressive. However, Damien Chazelle’s First Man is a technical marvel, and given the lack of nominations in any other field, it would appear the voters tend to think so, too. This win for Apollo is a kosher one, but we’d love an upset by Jim Halpert. –Michael Roffman

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Best Sound Mixing

Black Panther

Bohemian RhapsodyFirst ManRomaA Star Is Born

What should win: A Star Is Born

What will win: First Man

As you can see, we’re picking First Man and its appropriately deafening theatrics in both sound categories. Damien Chazelle’s film lends the first moon landing a bracing sense of immediacy and impact, which owes a direct debt to the sonically overwhelming nature of the film’s sound design and mixing. However, one of the most impressive experiences we had in a theater all year was watching (and thus, hearing) A Star is Born in a crisp, clear Dolby theater. Not all live performances are created alike, and if you’re wondering why some of those concert scenes hit you the way they did, this is why. –Dominick Suzanne-Mayer

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Best Visual Effects

Avengers: Infinity War

Christopher RobinFirst ManReady Player OneSolo: A Star Wars Story

What should win: Ready Player One

What will win: Avengers: Infinity War

With Ready Player One, Steven Spielberg delivered a computer animated movie given the amount of time that’s spent in the Oasis. But really, all you need to do is watch that homage to Stanley Kubrick’s The Shining in which the entire Overlook Hotel is brought back to life through video manipulation. It’s a jaw-dropping moment of visual effects wizardry, echoing back to the days of Terminator 2 and Spielberg’s own Jurassic Park. Having said that, Marvel has yet to win in this field, and isn’t Infinity War, what with its smorgasbord of heroes and villains, a perfect time for comeuppance? —Michael Roffman

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Best Film Editing

Bohemian Rhapsody, John Ottman

Vice, Hank Corwin

The Favourite, Yorgos Mavropsaridis

BlacKkKlansman, Barry Alexander Brown

Green Book, Patrick J. Don Vito

What should win: BlacKkKlansman

What will win:  Vice

With BlacKkKlansman, Spike Lee’s go-to editor Barry Alexander Brown had the unenviable task of shifting the story from a punchy ’70s setting to the real-world violence of today, specifically the Charlottesville riots that happened as recent as 2017. That’s not just difficult, but nearly impossible, and while many critics have been on the fence with the film’s polarizing coda, very few will argue it wasn’t an effective button that chills the bones. Those feelings *hopefully* won’t get lost on the voters, though we’re betting they’ll be charmed (and swayed) by the cutesy pastiches of Adam McKay’s Vice. To be fair, that faux credits sequence midway through the film is one of the comedy’s greatest gags and it’s all Hank Corwin.  —Michael Roffman

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Best Makeup and Hairstyling

vice christian bale movie amy adamsVice. The actor’s insane weight training isn’t everything, after all. —Dominick Suzanne-Mayer

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Best Costume Design

The Favourite, Fox Searchlight, Emma StoneSandy Powell‘s excellent 2D animation-stitched work on Poppins or Ruth E. Carter‘s unforgettable array of traditional and modernized African looks in Black Panther. However, the best costume design helps contribute to the film’s story in a more meaningful away, and we’re thinking that The Favourite and its litany of layered dresses concealing all kinds of secrets will win on that basis alone. —Dominick Suzanne-Mayer

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Best Production Design

Black Panther , Hannah Beachler and Jay Hart

The Favourite , Fiona Crombie and Alice Felton

First Man , Nathan Crowley and Kathy Lucas

Mary Poppins Returns , John Myhre and Gordon Sim

Roma , Eugenio Caballero and Barbara Enriquez

What should win: Roma

What will win: Roma

More tough calls to make for the 91st Oscars. Each of these films has its own clear, cogent argument to make for why it deserves a Production Design award, from dazzling revivals of old-fashioned film styles to daring new visions of what a modern superhero movie can look like. But once again, we think the technical accomplishments of Roma will be too much for the Academy to deny. And if you think about it, what film last year draws more attention to its lavish visual direction? Whether it’s rebuilding a Mexico City street doorway-by-doorway, or filling a torched field with perfectly placed debris, or gazing over a missing set of bookshelves in a house’s foyer, some of the film’s best stuff emerges from some of its finest details. –Dominick Suzanne-Mayer

__________________________________________________________

Best Cinematography

Roma (Netflix)Lukasz Zal‘s equally rich black-and-white work on Cold War. Great year for great-looking movies. –Dominick Suzanne-Mayer


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Best Original Song

“Shallow” ,A Star Is Born, written by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt


Performed by Lady Gaga and Bradley Cooper

“All the Stars” ,Black Panther, written by Kendrick Lamar, Al Shux, Sounwave, SZA and Anthony Tiffith


Performed by Kendrick Lamar and SZA

“The Place Where Lost Things Go”, Mary Poppins Returns, written by Marc Shaiman and Scott Wittman


Performed by Emily Blunt and Lin-Manuel Miranda

“I’ll Fight” ,RBG, written by Diane Warren


Performed by Jennifer Hudson

“When a Cowboy Trades His Spurs for Wings”, The Ballad of Buster Scruggs, written by Gilian Welch and David Rawlings


Performed by Tim Blake Nelson

What should win: “Shallow”, A Star Is Born

What will win: “Shallow”, A Star Is Born

Here’s one way to clear the air on this category. While “All the Stars” was the best song of 2018, it had a nominal effect on Black Panther, relegated to the credits as if to say, “Grab this track now on iTunes.” But “Shallow”? It’s the whole goddamn movie, and you feel that every time you stream it. So many moments and so many emotions are packed into that single song, and they all have breadcrumbs leading back to Bradley Cooper’s debut feature. –Michael Roffman

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Best Original Score

BlacKkKlansman, Terence Blanchard

Black Panther, Ludwig Goransson

If Beale Street Could Talk, Nicholas Britell

Mary Poppins Returns, Marc Shaiman

Isle of Dogs, Alexandre Desplat

What should win: If Beale Street Could Talk

What will win: Black Panther

Given the Academy’s notoriously touchy Original Score policies, it’s hard enough for a great score to even get nominated. (Our hearts and fuzz pedals turn to Mandy in this trying time.) Even now, in a crop of good-to-great nominees, we can sit and quibble all day about the Radiohead members and other composers who got short shrift this past year. But the category is the category, and on that basis, we’re excited to see whether If Beale Street Could Talk can make some noise in at least a few categories. Nicholas Britell‘s remarkable score acts as a thematic hinge on which Barry Jenkins’ beautiful film swings, and we’d love to see it grab some honors here. However, our money is with Black Panther. After all, is there a more instantly recognizable piece of composition from 2018 in general than “Wakanda”? It was so good, they even re-used it in Infinity War. –Dominick Suzanne-Mayer

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Best Animated Short Film

Animal Behavior

BaoLate AfternoonOne Small StepWeekends

What should win: Baos

What will win: Bao

While it’d be more than a bit of a misnomer to simply dismiss this category as “the Pixar award”, it’s tough to deny that the animation house has a pretty strong grip on the past 20 years or so of the Animated Short program. We’re expecting that they’ll continue their reign this year with Bao, originally attached to Incredibles 2. The deeply affecting story of the bond between an empty-nesting woman and a dumpling that becomes a surrogate child to her. In just a few minutes, Pixar does what it does best: takes a wrenching, difficult adult concept (letting go of your kids as they age as a part of good parenting) and makes it digest … well, easy to understand for anyone at any age. –Dominick Suzanne-Mayer


__________________________________________________________

Best Documentary (Short Subject)

Black Sheep

End GameLifeboatA Night at the GardenPeriod. End Of Sentence

What should win: A Night at the Garden

What will win: Lifeboat

The Documentary Short category tends to thrive on topicality, and this year is no different. From stories of long-buried American history to a look at the ways in which periods have been used to culturally discriminate against and disadvantage women, the category is taking a wide berth in the issues it addresses in 2019. Our pick goes to Lifeboat, an affecting look at the constant danger taken on by refugees attempting to escape war-torn countries in hopes of a better future. There are few subjects more engrained in the aware person’s consciousness these days, and we think the Oscars will take the opportunity to provide yet another platform for discussion. –Dominick Suzanne-Mayer

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Bachelor star Kiki Morris stuck in Hawaii after plane malfunctioned

Bachelor star Kiki Morris stuck in Hawaii after plane malfunctioned

‘A generator blew up after take off’: Bachelor star Kiki Morris recalls scary moment her plane back to Australia from Hawaii suffered a malfunction mid-flight and was forced to turn back

By

Emma Shepherd For Daily Mail Australia


Published:
00:53 EST, 8 January 2019

|
Updated:
03:30 EST, 8 January 2019

She’s been holidaying in Hawaii over the Christmas and New Year period. 

But Kiki Morris’s return home was derailed after her plane back to Australia malfunctioned on Monday. 

The former Bachelor star took to her Instagram page to recall the scary ordeal, revealing that the pilot was forced to turn back and land in Honolulu after a generator blew up mid-flight. 

Scroll down for video

‘A generator blew up after take off’: Bachelor star Kiki Morris has recalled the scary moment her plane back to Australia suffered a malfunction mid-flight on Tuesday and was forced to turn back and land in Hawaii

‘A generator has blown up after take off on my flight home,’ she informed her fans on Instagram. 

‘We just had to dump fuel for an hour to land safely back in Honolulu. Looks like one more night on the island.’

The blonde beauty has been documenting her tropical holiday on social media over the past week. 

Scary stuff:  ‘We just had to dump fuel for an hour to land safely back in Honolulu. Looks like one more night on the island,’ she told her fans 

Stripping down to nothing but a pair of tiny bikini bottoms, the 31-year-old took to Instagram on Monday with a collection of very raunchy photographs. 

Enjoying a sun-drenched day out in Waimea Bay, the stunner posed up a storm topless. 

She was captured staring seductively into the camera while caressing her lips with her hand.

Racy: The blonde beauty has been documenting her tropical holiday on social media over the past week.  Stripping down to nothing but a pair of tiny bikini bottoms, the 31-year-old took to Instagram on Monday with a collection of very raunchy photographs

Kiki flaunted her bodacious booty in a pair of barely-there swim briefs, that were adorned with a light blue print. 

She accessorised the look with a white straw hat, a glamorous makeup look and pulled her blonde tresses up into a messy bun.

‘Nothing Feels Better Than This (sic),’ Kiki wrote in the caption of one post.

‘Filming and shooting with @shannonvision @wmsurfing for Da Hui Backdoor Shootout.’ 

Hot day! Enjoying a sun-drenched day out in Waimea Bay, the stunner posed up a storm topless

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TikTok users are making elaborate memes inspired by the Instagram-famous egg

TikTok users are making elaborate memes inspired by the Instagram-famous egg

  • The photo of a brown egg that became the most-liked picture on Instagram has gone viral all over the internet.
  • On TikTok, people are making creative funny videos with it.
  • There are elaborate skits, dance routines, and egg makeup tutorials.
  • It’s a form of meme culture that flourishes more on TikTok than Instagram.

Ever since a brown egg cracked Instagram’s record this week as its most-liked image, other people have been trying to get in on the hype. YouTubers like PewDiePie made videos about it, and Logan Paul invited it to his podcast. And the egg account itself, too, has kept up interest by posting a daily flood of memes to Instagram stories.

But it’s on TikTok where the egg content is flourishing. Users have been making elaborate skits celebrating the egg, in all its eggcellency.

If you peruse the hashtags #egggang and #worldrecordegg, you’ll find delightful egg videos.

Take this skit, for example

Or this choreographed dance routine

A lot of them are about the egg’s smooth-surfaced inscrutability

In a lot of the videos, the egg breaks

Egg-based nursery rhymes are also the basis for some memes

Riffing off the viral potato makeup tutorial, some people are making them with brown eggs

The scariest video is from someone who put egg faces all over their family photos

There are egg memes flourishing on Instagram, too, of course, but most are not being made with the same creativity as the ones you’ll find on TikTok.




Read more:


The guy who took a photo of an egg that broke Instagram’s world record is shocked it became a meme: ‘Egg is just an egg’


Instagram’s egg memes are mostly static images, like the kinds you’d find anywhere else on the internet. And they tend to be centralised, too, in the Instagram stories of the original @world_record_egg account.

But because of TikTok’s clever editing tools, TikTok users are pushing the memes to the next level with funny videos and the community’s own sense of humour. Most egg-celent.

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